Jazz Essay -- essays research papers

Jazz     Jazz is a type of medical specialty positive by black Americans ab unwrap 1900     and possessing an identifiable history and describablestylistic evolution. It is rooted in the mingled musical traditions ofAmerican blacks. More black musicians saw come for the first time aprofession. Since its beginnings steer has branched out into so manystyles that no single description fits all of them with number accuracy.Performers of jazz improvise within the conventions of their chosenstyle. Improvisation gave jazz a personalized, individualized, anddistinct feel. Most jazz is based on the principle that an innumerousnumber of melodies can fit the cord progressively of any cord.     The mid-twenties were a crucial period in the history of music.     Revolutions, whether in humanities or matter of state, create a newworld just by sacrificing the old. By the late twenties, extemporizationhad exp anded to the extent of improvisation we ordinarily expect fromjazz today. It was the roaring twenties that a conference of new tonalitiesentered the mainstream, fixing the sound and the forms of our popularmusic for the next 30 years. Louie Armstrong closed the book on thedynastic tradition in spic-and-span Orleans jazz.The first true virtuoso soloist of jazz, Louie Armstrong was a dazzlingimproviser, technically, emotionally, and intellectually. Armstrong, a lot called the "father of jazz," always spoke with deference,bordering on awe, of his musical roots, and with especial allegiance ofhis mentor Joe Oliver. He changed the format of jazz by bringing thesoloist to the forefront, and in his recording groups, the Hot Five andthe Hot seven, demonstrated that jazz improvisation could go far beyondsimply ornamenting the melody. Armstrong was one of the first jazzmusicians to refine a rhythmic conception that a plentyoned the stiffnessof ragtime, occupied swing light-note patterns, and he used a techniquecalled "rhythmic displacement." rhythmic displacement was sometimesstaggering the placement of an entire phrase, as though he were playingbehind the beat. He created new melodies based on the chords of theinitial tune. He also set standards for all later jazz singers, notonly by the way he altered the lyric poem and melodies of songs but also byimprovising without words... ...ner and the classical pieces of twentieth-centurycomposers Paul Hindemith and Bela Bartok. Latin-American music alsoinspired Coreas style. Early in his career, Corea had played inseveral bands that featured Latin-American music. Coreas crisp,percussive touch enhances the Latin feeling. It is also consistentwith his bright, very spirited style of comping. Like Tyner, Corea voiced chords in fourths. Voicing in fourths means that chords aremade up of notes four steps away from each other. Chick Corea joinedMiles Davis band in 1968, and played electric piano on the landma rk Ina silent way, album and the influential "Bitches Brew" session. Hisown trinity recording with Miroslav Vitous and Roy Haynes, "Now He sings,Now He sobs," became a staple in the record collection of modern jazzlovers during the late sixties. Corea was a prominent composer duringthe 1960s and 1970s. Corea wrote pieces that made good use of preset mysterious lines in accompaniment, particularly those with a Latin-Americanflavor. In 1985, Chick Corea organise the Elektric Band, which becameknown for its use of synthesizers. The bands debut was with ChickCorea Eleckric Band, on GRP Records.